Julie and Carol at Lincoln Center is a 1971 concert featuring Julie Andrews and Carol Burnett, their second out of three specials after Julie and Carol at Carnegie Hall and before Julie & Carol: Together Again. Staged in the Philharmonic Hall, the special was produced by Joe Hamilton, and written by Bob Ellison, Marty Farrell, and Mitzi Welch, who reused the template from the first show. The special was broadcast on CBS on December 7, 1971.

Julie and Carol at Carnegie Hall is an American musical comedy television showcase starring Julie Andrews and Carol Burnett, broadcast on CBS on June 11, 1962. The special was produced by Bob Banner and directed by Joe Hamilton. Banner came up with the idea in the Fall of 1961. Burnett was then a regular on The Garry Moore Show and Andrews had appeared as a guest twice, performing the song "Big D" from the musical The Most Happy Fella in the first appearance; and in the show's 1961 Christmas special, she did a number with Burnett and fellow guest Gwen Verdon plus an early performance of "My Favorite Things" (three years before she performed it as Maria while filming The Sound of Music). Mike Nichols wrote the script and co-wrote the song "You're So London" with Ken Welch. Writing began in February 1962 and the stars rehearsed for two weeks before the March 5 taping

Since premiering in 1976, the landmark series has sought to democratize the world of the performing arts by making Lincoln Center's historic concerts and events available for public broadcast across the country. And it continues to push the boundaries, both technical and creative, of what is possible in the realm of stage performance capture.

King Arthur founds the kingdom of Camelot and the Knights of the Round Table, who fight for justice and right, only to see his ideal crumble when his wife Guenevere falls in love with his favorite knight, Sir Lancelot.

The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime.Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.

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Transferring the setting of a brooding Hungarian play, Carousel, to a remote fishing village, shaping their vision around themes of brutality, poverty and disappointment, Rodgers and Hammerstein composed some of the most glorious music ever written for the stage.

Enjoy a soulful evening of song from one of Broadway’s brightest stars. Seamlessly making the transition from the stage to the big screen, British-born Cynthia Erivo won the Tony Award for Best Actress in a Musical for her performance in The Color Purple before starring in several films, including Steve McQueen’s Widows.

Tony Award-winner Annaleigh Ashford performs in the Appel Room.

James Lapine's tribute to a life in the theater based on Moss Hart's autobiography of the same name, starring Tony Shalhoub and Andrea Martin. The play, narrated by an older Moss Hart, traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director.